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I have picked only those questions which made some sense to every reader around and left those which were either answered already in the novel or were not-so-sensible ones. Change always brings Khair.Īnd now, after so long, I am here with you all, ready to answer the most frequently asked questions about Jannat Kay Pattay. So after JKP, I had to complete Paaras because I had promised Pakeeza administration for an episodic serial, and I really enjoyed working with them. Just painted same colours with different brushes. Paaras and BRKM were two sides of the same coin. Then after KKTM, I re-wrote that manuscript with a few changes (especially the change of era) and made it a period novel (Beli Raajputaan Ki Malikah). It was almost a 6 years old novel of mine that I started back then, (after saann sakin thi) and abandoned. Meanwhile you folks read a murder mystery (Paaras) in Pakeeza. After the completion of Jannat Kay Pattay, I got extremely busy in my upcoming project and since then I couldn’t get a pint of time to write anything but my new novel. I owe you all a deep apology for being this late in posting this article. Fortunately I found on Thomann a Falken 1 battery with many outputs and different voltages, while the 0-Coast required 15v but it worked fine from 12. There was a big question with power supply. Although a couple of times I changed this configuration and sequentially set up both delays on 0-Coast. 0-Coast to Arp-87 by default, Volca Drum to Flashback 2, and the reverb went to send / return to Volca Mix. The effect pedals are the Arp-87 and Flashback 2 delays and the Hall of Fame 2 reverb. The main instruments were 0-Coast, which sequenced from SQ-1, and Volca Drum as a melodic instrument. 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To make it more realistic we need subtle texture and creases.ĭownload a Paper Texture from a stock photography website, the one I have found is free from Stock XChange. This produces the basics of the torn paper, but paper is more than jus a block of flat colour. Your brush settings should still be in place and appropriate colour selected, go ahead and Stroke the Path using the Brush option to produce more fibrous particles. Make this the new Work Path by Right Clicking (CMD-Click) with the Lasso Tool. Paper is often made up of several layers which can become exposed when torn, to make the torn paper effect realistic create a another freehand selection using the Lasso Tool.įill this selection in a much lighter tint than the first colour on a new layer. Repeat this again if necessary to produce a realistic amount of stray fibres from the edge of the paper. Ensure the Tool is selected as Brush from the drop down and Simulate Pressure is off. For more information on the Brush Options window take a look at my previous Photoshop Brush Tip.īack with the Pen Tool or Path Selection Tool Right Click (CMD-Click) the path and select Stroke Path from the menu. Head over to the Brush Options window, change the Shape Dynamics settings as show to create a fibrous stroke. Select a brush shown above from the Brush Tool Menu, depending on the size of your document you may require a larger/smaller brush. Change the tolerance to 1px to keep the path close to the original mask. With the Lasso Tool still selected, Right Click (CMD-Click) on the mask and select Make Work Path from the menu. Select an appropriate colour for your paper and fill the selection on a new layer. Start with your blank document in Adobe Photoshop, use the Lasso Tool freehand to create the outline of the torn edge and continue the selection across the lower half of the document. |
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